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I'm beginning to think that maybe Anthony's wife has a good reason for her attitude...
I sure wouldn't want my husband hanging out with somebody who thinks the only way he can be part of her life is if they have an affair.
I mean, why can't they just go out for coffee? Surely it's still legal to have married friends?
But no, Elizabeth's first assumption is "OMG SEX!"
She's clearly insane, and I want her away from any guy I might possibly be interested in ever.
I mean, why can't they just go out for coffee? Surely it's still legal to have married friends?
But no, Elizabeth's first assumption is "OMG SEX!"
She's clearly insane, and I want her away from any guy I might possibly be interested in ever.
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It's obvious to me that E doesn't mind talking to him, because, well, that's what they're doing. "I just want to talk," he says, and she chirps back with "OK!"
But then again, maybe deconstruction of individual comic strips is a waste of both our time. :D
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She needs to get back with her old helicopter-pilot flame.
Gosh, I'm pathetic, aren't I?
(BTW, Lynn Johnston lives relatively near to us and sometimes shops at our mall bookstore, leaving behind autographed copies of her books for sale. We've accumulated quite a few.)
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I wish there was a FBOFW community.
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a) tone of voice could have made it clearer what he meant by be a part of your life and that is lost in the comic, so we have to assume it was more romantic and pushing in that direction
b) Comics sometimes need to kind of abbreviate things for space reasons. You have a short space to get to that punchline, and if you put in all of the exposition in your head, you have a crappy comic. Now, part of doing a good comic is finding a way to make it make sense and get to that comicy ending. But each individual strip is going to have to balance that a bit differently. Sometimes you'll have plot strips that are weak on funny to get you where you need to go. Sometimes you'll be low on explanation and hope the reader can fill in the blanks. But that's the medium, so I think you should generally give it a little bit more leeway. If this were a book, then that would say more about the character's personality.
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I thought Liz jumped the gun a tad too, but if my high-school boyfriend were to show up at my job and say he'd realized he wanted me in his life, I have to say I wouldn't think he meant as friends. Like I said, if he meant "we should hang out more often, how 'bout coffee?" he'd email me or IM me or call me or maybe drop by my house if he happened to be nearby.
In any case, I didn't read it as her having jumped to "OMG SEX!" I read it as her having jumped to "He's unhappy with Thérèse and misses what he and I had together [and I'd like that but I don't want to be the cause of their splitting up]." Which I think is an altogether logical reading—not the only possible one, but logical. And I read her response as "If you're unhappy with Thérèse, you need to work that out, and don't turn me into an excuse."
The Anthony-and-Thérèse-are-on-the-rocks, Anthony-is-carrying-a-torch-for-Liz storyline has been being set up for a long time. I like Anthony, and I think he's genuinely torn. And I think Liz knows him well enough to see that.
Though I think the line itself ("I'm no homewrecker!") was very unnatural.
Seconded.
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It's obvious to me that E doesn't mind talking to him, because, well, that's what they're doing. "I just want to talk," he says, and she chirps back with "OK!"
But then again, maybe deconstruction of individual comic strips is a waste of both our time. :D
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She needs to get back with her old helicopter-pilot flame.
Gosh, I'm pathetic, aren't I?
(BTW, Lynn Johnston lives relatively near to us and sometimes shops at our mall bookstore, leaving behind autographed copies of her books for sale. We've accumulated quite a few.)
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I wish there was a FBOFW community.
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a) tone of voice could have made it clearer what he meant by be a part of your life and that is lost in the comic, so we have to assume it was more romantic and pushing in that direction
b) Comics sometimes need to kind of abbreviate things for space reasons. You have a short space to get to that punchline, and if you put in all of the exposition in your head, you have a crappy comic. Now, part of doing a good comic is finding a way to make it make sense and get to that comicy ending. But each individual strip is going to have to balance that a bit differently. Sometimes you'll have plot strips that are weak on funny to get you where you need to go. Sometimes you'll be low on explanation and hope the reader can fill in the blanks. But that's the medium, so I think you should generally give it a little bit more leeway. If this were a book, then that would say more about the character's personality.
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I thought Liz jumped the gun a tad too, but if my high-school boyfriend were to show up at my job and say he'd realized he wanted me in his life, I have to say I wouldn't think he meant as friends. Like I said, if he meant "we should hang out more often, how 'bout coffee?" he'd email me or IM me or call me or maybe drop by my house if he happened to be nearby.
In any case, I didn't read it as her having jumped to "OMG SEX!" I read it as her having jumped to "He's unhappy with Thérèse and misses what he and I had together [and I'd like that but I don't want to be the cause of their splitting up]." Which I think is an altogether logical reading—not the only possible one, but logical. And I read her response as "If you're unhappy with Thérèse, you need to work that out, and don't turn me into an excuse."
The Anthony-and-Thérèse-are-on-the-rocks, Anthony-is-carrying-a-torch-for-Liz storyline has been being set up for a long time. I like Anthony, and I think he's genuinely torn. And I think Liz knows him well enough to see that.
Though I think the line itself ("I'm no homewrecker!") was very unnatural.
Seconded.
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